Narration: Time

or When a Story is Told

PAST:

The Past Tense is the most common in storytelling. It describes the story and the events from a point in the past.

The past tense is simple yet complicated. It can cause problems with writers that can’t use all the past tenses.

On the other hand, it is something the reader expects to see in a story, which makes it invisible. Sometimes when a story has a format that is too weird, it can take the reader out of it. So Past Tense Narration is a safe bet, because it is what readers are used to, what they have seen time and time again.

Great with character backstories and building tension and conflict, the past tense is an easy go-to for most writers, no matter the Point of View or the Voice.

PRESENT:

The second most common tense in storytelling, the Present Tense is simple and uncomplicated. Everything that happens, happens now, in the moment and the Narrator is the vessel through which the reader experiences everything. It is spontaneous, and most times it’s used with the First Person PoV. It is intimate and can be fast-paced.

But the Present Tense can be tricky because it doesn’t fall back on other tenses, so sometimes it can be difficult to convey conflict and tension. Many writers fall into the trap of adding trivial little details and happenings in their story, just because the Present Tense allows it.

FUTURE:

The least used tenses for Narration, are the Future Tenses. The events are happening at some point in the future and the story takes an almost prophetic tone.

~Harris

Intro | View | Voice | Time

Nanowrimo

What to do when the month of Nanowrimo comes around.

Nanowrimo is almost here!

It’s that time of the month again when everything is painted in the colours of the Autumn and everyone is getting cosy in their sweaters and their fuzzy shocks with a mug of hot chocolate or tea.

And then there are the crazy people who get their laptops out, lock the doors, forsake any kind of social life and buckle down for a whole month of writerly abandon.

Nanowrimo (National Novel Writing Month) is a yearly worldwide event where people commit to writing fifty thousand words in a month, or just 1.666 words per day. It doesn’t sound so bad now, does it? It doesn’t sound so difficult for one thing. And it’s not. What is difficult is setting yourself a daily habit that you have to follow through.

Why should you do Nanowrimo?

Why not? Everyone has a story to tell, then why not tell it? That aside, Nanowrimo is a great way to connect with people who are also writers, that also love stories and characters and maybe they are just a bit too invested on fictional situations.

But remember, Nanowrimo is not for everyone and that is alright. Different strokes for different folks. It’s okay if Nanowrimo isn’t for you. Maybe you can only write every few days, or you have work or school or university. Maybe your life just decided to flip upside down or the crazy pace of Nanowrimo just doesn’t float your boat. Or as I like to say, it doesn’t float your goat**.

What to do to succeed in Nanowrimo:

a. Don’t lose your sanity: You have multiple people in your head. Just make sure to safeguard whatever is left of your brain.

b. Put together a writer’s survival kit: this is the time to buy that notebook and those fancy pens you wanted. Nanowrimo gives you the perfect excuse! You need all these things just so you can survive the month. Whether it is snacks, or coffee or a USB to back up your work, everything is essential.
For more ideas, just follow the link above.

c. Warm your pet humans about November: You are invested, you’ve decided you ARE doing this. The only thing that is getting between you and your goal are all those normal people who just don’t get it. Just warn them in advance. Make sure they know what you want to do and how important this is for you.

d. Join a writing community: Nanowrimo is all about that community and the internet is full of groups that can help you and keep you motivated throughout the month. Whether that is on the official Nanowrimo site, or it’s in a facebook writing group, find people who are like you and watch your imagination grow.

e. Have fun: Last but not least, remember that this is something that had you all excited, something that should warm your insides like a sip from your favourite hot coffee. This is you expressing your creativity and giving your ideas form, this your making a story out of nothing. Having characters that hardly ever listen to you is tough enough, so do not forget to have fun!

~ Harris

**( Disclaimer: no actual goats were harmed in the writing of this sentence)

Narration: Voice

Or How The Story Is Told.

It is really no surprise that View and Voice and intertwined a lot, since voice is how the story itself is told. Apart from the similarities though, there are some different formats.

A STREAM OF CONSCIOUSNESS:

In contrast with the other narrative formats, SoC doesn’t follow the typical style and instead it has a unique way of telling events and actions as they happen. SoC is filled with inner monologues in an attempt to replicate the thought process. SoC is full of personal desires and motivations and the occasional, inconvenient incomplete thoughts.
SoC is best expressed in First Person and it is an easy way to show the audience thoughts and motivations that the rest of characters in the story don’t hear or get to know.

A CHARACTER’S VOICE:

One of the most common formats, when the voice of the Narrator and the Voice of a character are one and the same. Either in first person or third, it creates a nice atmosphere for a relatable, realistic character/narrator that the reader can follow around.
But it can also be a biased, unreliable narrator that can lead the reader astray. Or it can be a detached narrator that is just retelling the events taking place.

AN UNRELIABLE NARRATOR:

An untrustworthy narrator aims to give a sense of mystery and suspicion to every bit of information given. There are many reasons why a narrator can be untrustworthy. Mental disorders, drugs, naivete and simple innocence.
Usually done in First Person, for that something extra.

A 3RD PERSON OMNISCIENT NARRATOR:

A narrator that is good for epics and big cast of characters, the Omniscient Narrator knows all, sees all, hears all. It is the most reliable of the Voices because of the knowledge he holds and sometimes he can offer judgement and his opinion on matters, or even foreshadow events that are to happen in a more outspoken manner.

A 3RD PERSON OBJECTIVE NARRATOR:

The Objective Narrator is very good with Drama. He is unbiased and objective and conveys only the events and the actions, while he leaves out the thoughts, the opinions and the feelings of the characters,
He is the perfect Narrator to display all sides in any story in a way that allows the audience to decide who is the good and who is the bad guy, what is right and wrong. It also gives the characters the chance to act out their feelings, instead of just keeping them in their thoughts, where the audience can’t know about them.

A 3RD PERSON SUBJECTIVE NARRATOR:

Unlike the Objective Narrator, the Subjective Narrator is all about the feelings and the thoughts and the personal, inner opinions of the characters. The Narrator can jump between characters and present all different sides in a matter. Most commonly, it is used with main characters, or the Narrator can even jump between characters.

What is your favourite Voice to use? What are you most comfortable with? What would you like to experiment with?

~Harris

Intro | View | Voice | Time

Guest post: How to write in a foreign language — eternal scribbler

This week’s guest poster is the wonderful M S Harris who discusses writing manuscripts in a language that is not your native one. How To Write In A Foreign Language by M.S. Harris I have been writing for a long time and I’ve been making stories in my head for as long as I can remember. Not […]

via Guest post: How to write in a foreign language — eternal scribbler

Every Artist is a Child

Life is hard. Life is difficult and as we grow up and we grow old, life likes to slap us and know us down, dedicated in teaching us important “lessons”.

Ever so slowly, we lose our fearlessness, our passion and our wonder. We no longer see the world as a child does, with pure joy at every little discovery, with the need to explore, create and satisfy our thirsty curiosity.

Life teaches us to be afraid, to stay put and mind our business. Life, experience and knowledge help bury that child inside each of us.

But an artist needs those qualities. An artist needs to be a child, to look at the world with wonder and joy, to feel no fear, or anything that can hinder or block the creativity and the curiosity that powers his work.

In his heart, every artist remains a child and every child is born an artist. It’s just a matter of whether or not he will let life and growing old and weary stop him in any way.

All about Narration : Introduction

What is Narration?

Narration is the writing of a story. It is the way the words come together. It is all the little choices a writer makes. The narrator, the tense, the person.
There are a lot of different combinations a writer can use to get the best result for the story. A narrator who is also a character and tells the story in first person and present tense? An omniscient narrator in third person and past tense?

There are a many different combinations and it all comes down to the writer and what his story wants to tell.

What makes up Narration though?

First, it’s the Point of View (PoV) or the Narrator. The person telling the story.

Secondly, it’s Voice. Or, How the story is conveyed to the audience?
And Lastly, it’s Time. Past, Present and Future tenses can give a completely different feel to a story.

~ Harris

Intro | View | Voice | Time

"People will never forget how you made them feel" ~ Maya Angelou

“People will never forget how you made them feel” ~ Maya Angelou

Maya Angelou has talked about the importance of emotions. And that holds true for stories and storytelling.

Stories in their core are about feelings. What the reader feels, how invested he is in the story and the characters, how immersed he is, how close to home their troubles, and fears, and hopes hit. Stories are for the sleepless nights, when you can’t put down a big because you have to find out what happens next. Stories are for the people you meet between the lines; the people you carry with you for the rest of your life. Maya Angelou was right after all :”People will never forget how you made them feel”, and a reader that has cried and laughed with your story will always come back for more.

Stories are feelings.

Even a story in a fantasy setting has those same feelings. Even though it has knights, and princesses, and dragons who couldn’t be further from reality. Yet, a good story will have the reader worrying. Will the hero succeed? Or, will he be with the one he loves? Will he fail?

Good writing makes the reader feel.

It makes the characters feel alive and as real as the people outside the book. The book made the reader angry, happy, sad, anxious. It gave him a whole spectrum of emotions to experience. Emotions that blew up in his mind and his heart like fireworks. If a story made him cry, laugh out lour, or even hurl the book half way across the room, that’s the story that’s going to stay with him.

Stories tag at heartstrings.

Stories are feelings.

~Harris

 

A hunger like no other

Book Review: A hunger like no other by Kresley Cole

“A hunger like no other” is the first book in the “Immortals after dark” series. An adult, paranormal series of books about everything that can go bump in the night and kill you. And immortal love.

What’s not to like?

Kresley Cole creates a very interesting, fast-paced world, with many fantasy creatures. Vampires and werewolves, but even demons, angels, witches and Valkyries come out at night in New Orleans.

“A hunger like no other” is very much like your typical story of ‘beauty and the beast’ to me. He’s tortured and with anger problems, she is cowardly and meek. But through the course of the story, they change and they evolve.

Emmaline Troy is a half Valkyrie/half vampire who has been sheltered all her life, not only from the outside world, but from her own nature. By the end of the book, she’s the fighter she was meant to be, confident and freed. Emma even finds out the answers she was seeking at the beginning of the book, before she bumped into Lachlain MacRieve.

Meanwhile, Lachlain has been captured by the vampire Horde for years. He’s been sentenced to burn for centuries, just to have his immortality bring him back to life. He finds his soul-mate in Emmaline. The young vampire is able to calm down the rage inside of him and give him a more open-minded perspective.

Just because she’s half vampire, doesn’t mean she’s vile or evil.

But that’s what he thinks – understandably so with what he’s been through  – in the beginning and it takes him a while to come to terms with the reality and accept how things are. Emmaline is his fated mate. She’s half vampire. She’s not evil.

Though, not one of my favourite in the series, it is still an enjoyable read, that is not without its issues of course.

There are many dark undertones and many of them are in Emmaline’s and Lachlain’s relationship that starts off on the wrong foot. He’s controlling, wrathful and he lies to her whenever it suits him. Their relationship is seen as abusive and their interactions to the point of being sexual assault, as Lachlain kidnaps Emmaline and repeatedly ignores every time she tells him no.

It didn’t bother me a lot, but it took out of the story and it is something he regrets afterwards and he tries to make it up to her. Still, it doesn’t much change his actions.

What did you think about this book? Have you read it? 🙂 I’m continuing with the rest of the series, as I want to catch up to the new books that I haven’t read.

If you want to find the book, and support me, you can find it in Book Depository.

~ Harris

A hunger like no other | No rest for the wicked | Wicked Deeds on a Winter’s Night |